‘Assignment Africa’: Donald Swanson's Colonial Imaginary and Chisoko the African (1949)

Abstract

African Jim (1949) and The Magic Garden (1951), both directed by Donald Swanson, have a unique place in the history of film in South Africa as amongst the first films to place black identity and experience at their centre. While there is considerable scholarship on the films, there has been little consideration of Donald Swanson's varied career and output. This article shows how he participated in a network of documentary and colonial filmmakers in the late 1940s and early 1950s, first in Gaumont-British Instructional (GBI) and subsequently in African Film Productions (AFP). It builds on my earlier research and the recent recovery of two colonial films that he scripted and directed, Chisoko the African (1949) and Mau Mau (1954). Tracing Swanson's beginnings with the GBI series on British Railways for which he wrote two scripts, I identify key characteristics of his style and aesthetics. This leads into a discussion of the contexts within which GBI established its Africa office in...