Tenacious diasporic homelessness in Moroccan Dutch writing: A. Benali's ‘May the Sun Shine Tomorrow’ and H. Bouazza's ‘The Crossing’ as a case of study

Abstract

The highly estimated reception of Abdelkader Benali's debut Wedding by the Sea and Hafid Bouazza's Abdullah's Feet in the mid-1990s is the hyped celebration of multiculturality by the Dutch establishment. Because of attributed to stories' apparent embedment in the native background (Moroccan exotic village), the writers were hailed as successful models for the Dutch multicultural society that was based on the policy of integration (while retaining one's own cultural identity). This paper argues that those exotic proses are imbedded in the culture of routes rather than the rhetoric of roots which is centered on otherness and ethnicisation. The narrative structure of the debuts is undergirded by a discursive disruption of the centripetal moves toward unified autochthonous belonging. It is suggestive of the precariousness of the migrants' homes and their sense of origins. More importantly, A. Benali's ‘May the Sun Shine Tomorrow’ and H. Bouazza's ‘The Crossing’ are produced in a...