This article comprises of reflections on an artwork created during a research exercise using visual methodologies to explore various aspects of identity within the context of autobiographical studies. It interrogates aspects of meaning and identity as a white person in post-apartheid South Africa and post-colonial Africa and traces my journey of critical reflection through an interactive process where the visual text, research on predominant theorists in areas related to the white hegemonic gaze, and collaborative comment of colleagues revealed embedded commentary and cultural critique. My critical reflections about notions of representation, appropriation, colonialism, essentializing discourses, postmodernism and hybridity are included in this article. Throughout these reflections emerged the constant need to be mindful of not reinforcing whiteness as normative and to be aware of forms of moral distancing and moral superiority. Such critical self-reflection is vital to my roles as...
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