David Goldblatt’s photographs in On the Mines create a narrative of the mining industry. They can be read individually as fragmented emblems of the ways that mining has shaped both the city of Johannesburg and its people, and they can also be read in relation to our present perspective as testaments of history. Even in the most seemingly straightforward photographic image, photographs can offer vital metaphors that enhance our understanding of a place. As in the case of Goldblatt’s photographs, these pictures show Johannesburg’s mining-town beginnings, which transcend the specifics of the moment they were taken. They depict the economy and process of extracting gold from the earth, and likewise utilise an exacting economy of vision. His photographs include only essentials, but these photographs go beyond abstract economics to show the humanitarianism of the photographer too. Many of David Goldblatt’s photographs focus on the built environment, the structures of mining, housing and...
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