Hostels and compounds have held a compelling fascination for South African photographers over many decades, from the colonial to the post-apartheid era. The photographic representations of these spartan barracks have permeated the narrative of South Africa as the photographers showed the lives, recreations and living conditions, the institutionalised, alienating nature of the environment, its dehumanising conditions, and the cultural and geographical schizophrenia experienced by the migrant labourer navigating the urban/rural divide. In the last two decades, the monolithic structure of the hostel compound has become fractured, as aspects of this environment have altered due to changes in the political, social and economic landscape of South Africa. But it is not just the hostel that has changed, post-apartheid: the photographic representations have transformed too. These adjustments include: a shift from black and white to colour; an increased reluctance to present the hostel...
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