Reflecting on a body of family photographs from forcibly removed ex-residents of Roger Street, District Six, Cape Town, I shift frames, from aesthetics to restorative justice, to open a set of questions around trauma, memory and freedom in the aftermath of oppression. Intimate documents of family life, the photographs speak of the destruction of community and of the multiple valencies of place and home. They also speak of historical catastrophe and of the unfinished business of apartheid. Approaching the notion of archive as being open-ended, and not bound in time and space, I suggest a principled and forceful space for engaging a set of debates that lie at the centre of post-apartheid society, even as they are generally disavowed.
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