The integration of gender as a vibrant stream within African historical writing suggests a remarkable success story with many prominent historians and fresh thematics involved. Alongside an interest in subjectivities has emerged vigorous attention to the affective, emotions, and the senses. Why affect has emerged now matters. At the same time, new kinds of intellectual histories are burgeoning in the African field, frequently forwarding an unacknowledged masculinity. With the affective and the intellectual seemingly at odds with each other, it is crucial to seek ways to cross and combine them, while remaining alert to methodological perils and innovative forms.
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