The popularity of slain American hip-hop star Tupac Shakur has become a global barometer of youth malaise. Taking a multidisciplinary approach that weaves social history, cultural studies and globalization studies, this paper highlights the convergence of socioeconomic alienation and media proliferation since the early 1990s. I argue that this confluence has given rise to new global heroes such as Tupac, icons that have become components of a planetary symbolic lingua franca that has yet to gain significant analytical attention. I outline the transnational import of Tupac by considering combatants' evocations of him during the Sierra Leone civil war (1991–2002). Militant factions' attraction to Tupac – their use of Tupac T-shirts as fatigues and incorporation of his discourse into their worldviews – offers insight on how young people have sought broader relevance for their particular experiences through the imagery of global popular culture. Tupac references allow for a powerful...
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